![]() Rossi did on Warhol’s innards after the 1968 shooting. Here is a small clip from his description of the repair job Dr. But you don’t lose heart, because Gopnik is a vivid chronicler. (His brother, Adam, is a writer for this magazine.) Gopnik is fantastically thorough the book is nine hundred pages long-not counting the seven thousand endnotes, available in the e-book edition or online. Seven years ago, he arrived: Blake Gopnik, formerly the lead art critic of the Washington Post. ![]() ![]() The time capsules-six hundred and ten of them-were shipped there and lined up on banks of metal shelving, ready for the person who would work their contents into a fittingly rich biography. This faith was the wellspring of the Pop-art paintings-the Campbell’s soup cans, the Brillo cartons-that made him famous in the nineteen-sixties and changed America’s taste in art.Īfter Warhol’s death, in 1987, a museum dedicated to his work was established in his home town, Pittsburgh. When possible, he taped his phone conversations, and sometimes had an assistant type them up. In one box, I’ve heard, there is also a slice of cake, on a plate. We have copies of bills he sent and also of bills he received from increasingly exasperated creditors, including one (“ PAY UP YOU BLOWHARD”) from Giuseppe Rossi, the doctor who, in 1968, saved his life after a woman who felt she had been insufficiently featured in his movies came to his studio one day and shot him. As a result, we have his movie-ticket stubs, his newspaper clippings, his cowboy boots, his wigs, his collection of dental molds, his collection of pornography, the countless Polaroids he took of the people at the countless parties he went to-you name it. That is because, every few days or so, he would sweep all the stuff on his desk into a storage box, date it, label it “TC”-short for “time capsule”-and then store it, with all the preceding TCs, in a special place in his studio. ![]() Andy Warhol’s life may be better documented than that of any other artist in the history of the world. ![]()
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